The Virgin Mary (Maryam) with the infant Jesus (ʿĪsā)

🖼️ The image is a Persian or Islamic miniature painting depicting the Virgin Mary (Maryam) with the infant Jesus (ʿĪsā). It is an example of Islamic art from the Perso-Islamic tradition, most likely from the Safavid or Timurid periods (14th–17th centuries CE). Here are key details to better understand this artwork:



🔍 Key Features of the Image:


1. Virgin Mary (Maryam):


• She is portrayed with an East Asian or Persian artistic facial style.

• Her head is covered, consistent with Islamic norms of modesty.

• The gentle pose and intimate gesture signify maternal affection and holiness.


2. Infant Jesus (ʿĪsā):


• He is depicted with a flame-like halo around his head — a stylistic device in Persian Islamic art to denote prophetic or divine light (nūr).

• The flame halo is common in depictions of prophets in Islamic miniatures, especially post-Mongol Persian manuscripts.


3. Background:


• The setting is pastoral and idyllic with trees and an enclosed garden (possibly alluding to jannah or paradise).

• The visual elements show influence from both Persian and Central Asian styles.


4. Cultural Fusion:


• The artistic style fuses Islamic iconography with local Persian aesthetics, notably the absence of three-dimensional depth, use of bold colors, and decorative patterns.



🕌 Context in Islamic Tradition:


• In Islam, Maryam is highly revered as the pure mother of Prophet Isa (Jesus).

• The Qur’an devotes an entire chapter (Surah Maryam) to her story.

• Jesus is recognized as a prophet and messenger, not divine — thus he and Mary are often depicted in Islamic manuscripts with great reverence but without the Christian theological implications of divinity.



🖼️ Historical Use of Such Images:


• Miniature paintings like this were typically found in manuscripts, biographies of prophets, or devotional books, particularly in:

• Timurid (14th–15th c.)

• Safavid (16th–17th c.)

• Mughal (India, 16th–18th c.) periods.

• They were used for educational and devotional purposes, often accompanied by poetic or Qur’anic texts.

— Azahari Hassim

Founder, The World of Abrahamic Theology

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